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The New York Times bestselling author of Wench returns to the Civil War era to explore the next chapter of history—the trauma of the War and the end of slavery—in this powerful story of love and healing about three people who struggle to overcome the pain of the past and define their own future.
The Civil War has ended, and Madge, Sadie, and Hemp have each come to Chicago in search of a new life.
Born with magical hands, Madge has the power to discern others’ suffering, but she cannot heal her own damaged heart. To mend herself and help those in need, she must return to Tennessee to face the women healers who rejected her as a child.
Sadie can commune with the dead, but until she makes peace with her father, she, too, cannot fully engage her gift.
Searching for his missing family, Hemp arrives in this northern city that shimmers with possibility. But redemption cannot be possible until he is reunited with those taken from him.
In the bitter aftermath of a terrible, bloody war, as a divided nation tries to come together once again, Madge, Sadie, and Hemp will be caught up in a desperate, unexpected battle for survival in a community desperate to lay the pain of the past to rest.
Beautiful in its historical atmosphere and emotional depth, Balm is a stirring novel of love, loss, hope, and reconciliation set during one of the most critical periods in American history.
Dolen Perkins-Valdez’s enchanting and unforgettable novel, based on little-known fact, combines the narrative allure of Cane River by Lalita Tademy and the moral complexities of Edward P. Jones’s The Known World as it tells the story of four black enslaved women in the years preceding the Civil War.
wench 'wench n. from Middle English “wenchel,”1 a: a girl, maid, young woman; a female child.
Situated in Ohio, a free territory before the Civil War, Tawawa House is an idyllic retreat for Southern white men who vacation there every summer with their enslaved black mistresses. It’s their open secret. Lizzie, Reenie, and Sweet are regulars at the resort, building strong friendships over the years. But when Mawu, as fearless as she is assured, comes along and starts talking of running away, things change. To run is to leave everything behind, and for some it also means escaping from the emotional and psychological bonds that bind them to their masters. When a fire on the resort sets off a string of tragedies, the women of Tawawa House soon learn that triumph and dehumanization are inseparable and that love exists even in the most inhuman, brutal of circumstances—all while they bear witness to the end of an era.
An engaging, page-turning, and wholly original novel, Wench explores, with an unflinching eye, the moral complexities of slavery.